Thursday, July 12, 2012
As this year becomes the year of trying to stuff women back into their boxes, I find TV shutting down its very best examples of inspiring women who never even had a box.
It makes me sad.
Missing, starring the oh-so-fab Ashley Judd, was not picked up for a second season. I suppose a super hot, smart and capable middle-aged woman was just too awesome. Or. Not politically correct enough in 2012. By which I mean, she wore a lot of pants (and hats, metaphorically) instead of being decorous in a flowery dress. (Bitter much? Why yes, yes I am these days, thank you for asking.) I say BOO on this one. I liked that show. Yes, I am a Judd fan, but also it was exciting. Former CIA operative running (usually literally) around Europe to save her son, constantly outwitting the doubting potential allies/enemies.
The Closer, starring an increasingly skinny Kira Sedgwick, is living up to its title and closing. This is an easier goodbye. I used to love this show but the skinnier Sedgwick got and the more clothing tailored her main character, Brenda Leigh Johnson got, also the more boring the show got. By this I primarily mean that as the show has progressed, Brenda was increasingly "beautified" and her formerly complex and maddening yet lovable character became more and more one dimensional. I used to love this show. I loved her cleverness. Her balance of strength and weakness. Her hats and goofy Southern-Sunday-Go-to-Meeting-Meets-LA-and-Cop Shop outfits. Her incredible competence alongside her slight lapses into total geek. She was like the perfect yin-yang character and show. But, as is common with shows that center around a strong, smart woman, the show devolved her rather than evolved her. And here we are with this season. Instead of her leading everyone by the nose, her immediate circle has closed in around her, trying to protect her from herself as she implodes. Yuck. Yes, end it. End it now before I hate it.
Worst worst worst of all is losing In Plain Sight. An intriguing twist on the neverending story (law and order), this one included some crime, some mystery, some solving, but mainly the human story of lives disrupted.
It never started as a crime drama that eventually did the disgusting turn of the main characters themselves being the primary crime drama every episode (I'm looking at you every show named CSI). It started as a show about marshals who marshal people through the most unusual worst day of their lives and it kept true to that. The guest characters always had a story, and the main characters always had a story, and it was always well-balanced. It did shift into "oh noes the main characters became the victims" but only for a minute and it actually made sense.
So it had a good, solid story line, good character development and strong, consistent core of "what it was" that it held true to, but what I really liked about the show and characters was the unapologetic non-compromising truthfulness of it. Mary (Mary McCormack) started as a tough, emotionally-challenged, closed off character, and she stayed that way. The writers never threw in a bunch of "we'll teach you your lesson and soften you up missy" crap awful preachiness that writers usually love to throw at strong female leads. Oh she went through life and all of its accompanying "may it be interesting" curse sort of events but she is who she is.
Mary also had a great interplay with the male co-lead, her partner Marshall Mann (Fred Weller) (is that name awesome or what) (it so makes him...just the dude sidekick, the way women are so often the just the chick sidekick, but, as a great actor, he made it into a role you just adored). But they never "Moonlighted" it, ruining the show and its characters. Instead, the friendship shifted, as Marshall struggled to balance his traditional BFF role in Mary's life with that of fiance to a woman he loved. And it worked out. I left loving it, and them.
In the final season, Mary was a single working mother trying to figure out the way to parent and be a marshal. She showed the way so many of us moms feel, and most importantly, she looked the way so many of us moms look. Really. When she was pregnant in the show, she was really pregnant, all over. The show blended real and storyline beautifully, and nobody asked her to do a Beyonce and look like "miracle OMG you'd never know she had a baby two days ago." Praise jelly belly. She looked and acted just like a real woman, not some sanitized version of a conceptual female.
(Note to Hollywood: No, real women don't fantasize about looking like a swimsuit model within days of giving birth. That's not the mirror we want held up for us. That's what you keep telling yourself and telling us that we want but we don't. We want you to hold up a post-partum Mary McCormack and say "see, a little leaky and slightly too fleshy with a shower past the okay by date but STILL AWESOME." We know how we are really and we want you to hold up a mirror and show us how that's OKAY. If I'd been writing for the show, I'd have had her pull out a pack of wipies, swipe the pits, re-apply some Secret -- heh heh product placement -- and say "good enough" like I did a time or two.)
What the show did was give us a woman who measured herself by her own standards, not some arbitrary what makes everyone else more comfortable because it meets our expectations. As a result, even though it was occasionally tough, uncomfortable, annoying or all of the above, she stayed true to herself and we came to realize that who she is is not made of wrong and she doesn't need a self-help course. Maybe it is us, the culture, who do, in order to broaden our definition of okay.
I'll miss that. Most of all.