Another disabled performer, Alana, said that this doesn't actually happen. She said that it floors her that even open-minded producers and directors envision that disabled actors and performers should only play victims, in roles that revolve around their disability. In fact, the part usually acts out a morality play, by having the characters be charity cases, she said, heroic characters overcoming tragedy.
The disability, then, is the real character, and the actor is merely playing a stereotypical part, is how I read it. And when I thought about it, it seemed true. The reporter, Karen Grigsby Bates, ran a bit from a popular TV show, Private Practice, in which one character asks a disabled character, Dr. Phyfe, about the day he learned he would no longer be able to walk -- she characterized that as the worst day of his life. Dr. Phyfe replied that his life changed dramatically that day, but he questioned why she would assume that it was the worst day of his life.
Alana, said, "How often do you see a strong actor with a disability playing a lead role or a very prominent role?"
Grigsby Bates said, not very often. And it's true.
The theme in drama is heroic characters overcoming adversity, triumphing. It's a powerful literary and dramatic device. I agree with the news report that it would be intriguing to see differently abled people playing characters rather than disabilities, and that by doing this, it can open up audience eyes to perceiving differently abled people as, well, people, more than just their disability.
Isn't it a sort of hubris to assume that a disability is the defining moment of a life, and that by keeping on the person is heroic and triumphing over adversity? Isn't that sort of projecting a fairy tale onto an actual person who is just as human as anyone else, and worse than that, isn't that sort of projecting a Disney-fied fairy tale onto a person?
In the private practice show, the disabled character said, "There's a period of adjustment, but you...deal with it."
The actor from Private Practice is disabled. He lost the use of his legs after a spinal stroke in 2003. Grigsby Bates reports that he said "saccharin stories about how disabled characters nobly conquer their handicaps aren't the answer to onscreen diversity." He said he'd like to see roles about characters without once mentioning the wheelchairs.
In Notting Hill, one of the characters was wheelchair bound, but that wasn't the point of her role. Completely, anyway. It was a dramatic device -- an obvious adversity in a marriage, where typically adversity is not noticeable -- to illustrate couples can get through challenges and remain together. The wheelchair was, in the end, the least of it, and only briefly mentioned. The character was a friend, and I think what she considered her real adversity was the trouble she and her husband were having becoming parents.
I'd never compare or contrast being differently abled, physically, to any other perceived or obvious adversity. I do want to, however, point out that each and every one of us has had some challenge or adversity to overcome.
I'd be shocked to learn that there exists a human who hasn't had to overcome adversity. It's a human condition. Some of the adversity is visible, some not. Some of it we can relate to or empathize with, and some we can't. Some people experience what we think of as the worst thing that could happen. But it's all perspective.
My ongoing thematic challenge with "triumph over adversity" is that often it is mired in this idea that one "gets over it." Perhaps if we all acknowledged that something that is truly adversity is something that one must "learn to deal with" as the character on Private Practice said. It can be an ever-present thing that flares into a challenge at some points, and fades into the background at other times. perhaps then we can all acknowledge that each effort to deal with it, whatever it is, is heroic, and at base, is a person who just feels like a person, like any other person, then maybe we can set aside the fairy tale.
And maybe, just maybe, decent casting of good actors, regardless of physical ability, could help with this. But truly, I think anything could be the catalyst if we let it.
What do you think? More parts for good actors, even if they might be in wheelchairs? Is the fairy tale and heroic depiction of triumphing over adversity useful and right or deleterious?