I am reading, no, savoring, Isabel Allende's memoir, My Invented Country . I am taking my time with this book, picking up small portions delicately, raising them to my eyes and mind with slow anticipation, chewing and digesting them lingeringly. Once, I considered myself an avid scholar of the magical realism genre. That was back in my scholar days---the late 80s and early 90s. Gabriel Garcia Marquez was king. I found Allende's House of the Spirits a pale imitation of his work. Why was magical realism so appealing to me? Nobody ever asked. However, Allende, in her memoir, has finally answered the question for me: I am a ghost of Chile, wandering the practical world with an imaginative mind fixated in superstition and surprise divined from stockpiles of observation. Chileans, Allende asserts, offset their superstition, sobriety and natural intolerance with a love of regulation, "I believe this obsession of ours with legality is a kind of safeguard against the aggression we...